First let us define antique floor lamp. Needless to say a floor lamp normally rests upon the floor instead of resting upon a table, the wall or the ceiling. The general definition of an old-fashioned means something from a bygone era. This places the word outside the legal arena and into common usage. “era” is general perceived and means a long indefinite time frame which also computes perfectly for this general definition.
This general definition works perfectly since any identification of an “antique floor lamp” is rather useless without a while period designation normally by means of circa 1905 which literally means “about the year 1905”. So I will use the word antique floor lamp with this basis and often substitute it with the word vintage floor lamp. This discussion does not address modern reproductions of antique lamps which is another subject to itself.
Increasing numbers of people are learning to appreciate the product quality and styling of antique floor lamps especially as most of the ones being produced today are molded plastic and literally designed to be thrown away. Most all floor lamp makers from the turn of the century made their lamps from heavy metals such as cast iron, brass, steel and cast zinc sometimes coupled with marble, onyx, glass and stone. Our lamp shop regularly restores these antique floor lights for resale as well as for the customers’ own use.
From our 30 years of experience it is clear that many of these antique floor lamps can last since way back when. The electrical components, the fabric shades and the painted finishes often need restoration but most were made with such fine quality, that they are a much better value than brand new top quality lamps that sell for most hundreds of dollars. You will discover some other surprises about these collectible works of art below.
Top quality, beauty and function were powerful influences on the makers of antique floor lights. Many people know about their outstanding quality and beauty but completely surprised concerning the highly developed functional and technical characteristics. There are too many examples to list here but I am going to mention a couple of the more important ones.
The brightest lamp that you may purchase today in any store was designed and made circa 1920. It is also the most versatile lamp you can buy anywhere. how to make a hanging cloud lamp Further it will outlast most any modern lamp that you could find at any price. This antique floor lamp is well known by a numerous names such as for example: 6 Way Floor Lamp, Reflector Floor Lamp, and “JUNIOR”. The look begins with much metal base sometimes highly decorated with an upright tubing leading up to a central electrical socket surrounded by 3 arm lights (4 lights total).
The central light takes a 3 way bulb (low-medium-high) that is often a MOGUL size that is larger than a typical socket with higher wattage (100-200-300 watts). The three arm lights are controlled by way of a switch that can turn on separately just 1, 2 or all 3 of the arm lights. Further, several JUNIORS had a small light beneath the base which provided a very subtle nighttime floor light operated by way of a foot switch mounted on the medial side of the base.
As if this weren’t enough, the central top socket is encased in a big metal cup which holds a white waffle patterned glass bowl that reflects light upward to bounce of the ceiling. A fabric or silk shade (also known as JUNIOR shade) rests upon the glass reflector bowl to reflect light downward for reading. A single arm light can provide a simple night light or at it brightest setting, it could light up an entire room. There is absolutely no brighter lamp or even more versatile lamp available anywhere today also it was designed and made nearly 100 years ago!
One of the greatest reading lamps on earth was also designed circa 1920. It has been highly imitated nonetheless it still remains unchallenged. The Bridge Arm Floor Lamp or Bridge Lamp has a typical floor lamp design with metal base and upright standard that may take the form of varied forms of decorated tubing, twisted iron rods, etc. At the top of the standard is really a decorative cast metal arm with a graceful arc or curvature which ends with an electrical socket pointing downward and covered by a fabric or glass shade.
This has the effect of offsetting the light by about 14-18″ from the upright standard concurrently lowering it so that it is closer to the reading material or work project. The result is a superb reading lamp or work lamp which places the lamp very near the task accessible. Several Bridge Arm Floor Lamps have convenient pull chains which hang below the bottom of the lampshade for ease of operation.